Browsing by Author "Tüzün, Defne"
Now showing items 1-14 of 14
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1990 sonrasi Hollywood korku sinemasinda mise-en-abyme
Yaman, Sevin (Kadir Has Üniversitesi, 2017)1990 sonrasi Hollywood Korku Sinemasi'nin giderek kan kaybettigi ve cekilen filmlerin birbirinin tekrari hâline geldigi soylenmektedir. ''Metakorku'' olarak siniflandirilan bu filmlerin kendi yapilarina referans vererek ... -
Bakış ve insan: Blade Runner 2049
Oskay, Okan (Kadir Has Üniversitesi, 2019)Siberpunk sineması için temel konulardan bir tanesi insan ve insan olmayan arasındaki ayrımın muğlâklaşmasıdır. Bu konunun işlendiği zeminlerden bir tanesi ‘bakış’ kavramıdır. Bakış, insan-insan olmayan arasındaki beden ... -
Berlin the hyperreal and virtual realities of sex in a dark room
Sen, Burak (Kadir Has Üniversitesi, 2017)Berlin’s unique history as an urban epicenter for the key events of the previous centuries also witnesses an era which is known as the “Golden Twenties”. The sexually liberated atmosphere of the then Weimar Berlin is in a ... -
Guideline for rabbit keepers
Aydın, Tuğçe (Kadir Has Üniversitesi, 2015)The study, based on my readings on the concepts of "abjection" and "liminality", consists of the video records of subsequent performances that I have created using my bodily expressions and my reflection in the mirror, ... -
Immersion of the spectator
Esen, Tan Müyesser (Kadir Has Üniversitesi, 2019)From the first cinematic screening to this day, the basic concern of the mainstream cinema had been its attraction from the audience. Cinema enlarged its frame, curved its screen, darkened its theater, used multiple ... -
Manzara
Uluocak, Cengizhan (Kadir Has Üniversitesi, 2016)Manzara filmi Kinaliada’da geri donusum alani oldugu soylenen bir mekandaki canli ve cansiz varliklarin hayati uzerinedir. Film bu mekanda kadrajin icine aldigi ve kaydettigi canli cansiz her seyi ritmik bir kurguyla degisen ... -
A Moebial Ride through Polanski's Repulsion
Tüzün, Defne (Univ Pittsburgh, 2020)This article examines Roman Polonski's film Repulsion from a psychoanalytic perspective by attending Julia Kristeva's notion of abjection. This paper deals primarily with two main focal points. First, it focuses on the ... -
'Pro-filmic thought' in time-image: 'Lectosigns' and 'sub-reality' in 'Mirror' (1975)
Karyağdı, Mustafa Ozan (Kadir Has Üniversitesi, 2021)When discussing cinema as a 'pre-linguistic' system of images and signs, audiovisual thinking gains another dimension as a 'pre-verbal' act of creation that lays the groundwork for a new kind of thinking. It attributes ... -
The return of the repressed through social disruption in horror films: Analyses of Don't Breathe (2016) and It Follows (2014)
Kavas, Ali (Kadir Has Üniversitesi, 2022-06)The independent American horror cinema has shown some major advancement in terms of artistic approaches to the genre and critical acclaim during the last ten years. In this new era of the horror genre in which horror films ... -
[Safe] in a Narcissistic Closure
Tüzün, Defne (2022)This article offers an in depth formal analysis of the film Safe (Todd Haynes: 1995) By attending to Julia Kristeva’s concept of abjection as the earliest attempts to demarcate a space in the common, indistinguishable ... -
Scapegoats: the femme fatales of world war ii
Bozcu, Merve (Kadir Has Üniversitesi, 2014)The hard-boiled femme fatales of film noir are usually represented as evil females and as a result they are often seen as a danger to society. However this notoriety usually results in their deaths and/or murders. in the ... -
Temsiliyet krizi: Çek yeni dalga filmlerinde sistem karşıtı kadınlar
Bayman, Selda (Kadir Has Üniversitesi, 2015)Bu tezde, 1962'den 1968'e kadar Çekoslovakya'da üretilmiş, Yeni Dalga sinema akımının etkilerini taşıyan ve kadın figürlerin anlatılarının merkezinde olduğu filmlerdeki kadın temsilleri, sistem karşıtı hareketler bağlamında ... -
A threat exceeding the diegetic universe :the last horror movie
Dursun, Oguzhan (Kadir Has Üniversitesi, 2017)This thesis focuses on the film - The Last Horror Movie (Julian Richards 2003) - in which the protagonist is a serial killer who is recording his murders and trying to shoot his own movie. Additional to using a variety of ...